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FUTURE EXHIBITIONS

25 Sq. inches The Faces of the Permanent Collection
October 1, 2014 - January 4, 2015

As one of the most scrutinized and depicted subjects, the human face is perhaps the most important theme in the history of art. The
face has perpetually captivated and inspired artists and artisans. From ancient Egypt to the Renaissance, from photography to Pop
Art, man's fascination with the face is eternal. Drawn from the permanent collection of the Frost Art Museum. Curated by Klaudio
Rodríguez.

 

A Wolfsonian Teaching Exhibition:
Koizumi Kishio—Remember+ing Tokyo

October 1, 2014-January 11, 2015

The Great Kanto Earthquake of 1923 was the worst natural disaster ever to strike Japan. Using art as a social record, the woodblock
print artist Koizumi Kishio (1893-1945) produced this famous art series between 1928 and 1940. These works are fond memories of
the old imperial capital, as well as his accounts of the resurrection of Tokyo. Curated by Professor Lidu Yi.

 

Papua New Guinea: Gogodala Art and Identity, Transition and Revival
A Frost Art Museum Community Gallery Exhibition

October 1, 2014-October 26, 2014

In 2013, Professor Tudor Parfitt, Director of FIU Global Jewish Communities Program, and the world's leading authority on the Lost Tribes of Israel, led an expedition to Papua New Guinea, accompanied by 4 FIU students, to try to unravel the mystery of the Gogodala people's identity. This exhibition, a representative presentation of recent Gogodala carvings and other martials, brings this research to life. Curated by Professor Annette B. Fromm, in collaboration with Tudor Parfitt.

The Lost Tribe of Papua New Guinea

 

 

Gaby Grobo: Horizonte infinito
A Frost Art Museum Community Gallery Exhibition

November 8, 2014-December 7, 2014

In this Argentine artist's new series of works, the infinite horizon of the Pampas --metaphysical, disturbing, vertiginous-- is the axis that calls the spectator. The infinite horizon suggests more than a distant view; its potential includes the vastness, the silence and the poetry of these unique large spaces.

 

A Global Exchange: Geometric Abstraction Since 1950
November 8, 2014-January 4, 2015

A Global Exchange presents an important collection of over fifty works of geometric abstraction from the collection of MACBA –Museum of Contemporary Art in Buenos Aires- that trace the evolution of this movement in Europe and America over the last 60 years. The exhibition includes works by artists such a Manuel Espinosa, Juan Melé, Kenneth Noland, Alexander Liberman, and Carlos Cruz-Diez. Curated by Joe Houston.

 

Wang Qingsong: ADinfinitum                
November 8, 2014-January 18, 2015

Wang Qingsong is considered one of China's most innovative contemporary artists. He turned from painting to photography in the
late 1990s, and currently works in documentary, staged and scroll photography, computer-generated images and sculpture.
ADinfinitum features large scale photographic masterpieces which show the earthshaking changes occurring in contemporary China,
and the contradictions and problems brought about by this rapid transition. Curated by Professor Lidu Yi.

 

Monica Bengoa: Exercices de Style (Exercises in Style)               
February 14, 2015 - April 26, 2015

Exercices de Style (Exercises in Style) is the title of Monica Bengoa’s latest series of work to be exhibited at The Frost Art Museum in February 2015. The Chilean-born artist adopts the texts from seven pages of the French writer Raymond Queneau’s book of the same title. In Queneau’s book, the writer tells a brief story of an everyday life situation that happens on a bus, and then, he re-writes that same story ninety-nine times, in ninety-nine different ways, each in a radically different style—as a sonnet, an opera, in slang, and so forth. Bengoa has conceived three different series, one made in wool felt, another in hand-cut paper, and a third in embroidery. Each work will reproduce one page of a different version of Exercices de Style, there will be six pages where the letters are hand-carved in felt, eleven pages in paper, and eight pages in embroidery.
In the same way that Queneau uses language in many different ways in his story, each of the artist’s exercises in various media, offers a new and unusual way to look at ordinary situations, allowing the viewer to find something novel and surprising in the most insignificant, unnoticed thing. 

Curated by Julia P. Herzberg, Ph.D.

 

Xu Bing: Writing Between Heaven and Earth                
February 14, 2015 - May 24, 2015 

The character Shu in ancient Chinese signifies books, written characters, and the act of writing. This solo exhibition presents the shu art of Xu Bing (b. 1955-), the world acclaimed contemporary Chinese artist, from his Tian Shu (Book from the Sky) to Di Shu (Book from the Ground) and Landscape Landscript in between. All these shu related masterpieces demonstrate the art of writing as image. Together they create a Zen-like tranquil space drawing one naturally into an artistic contemplation of the works while cultivating oneself in a serene atmosphere. These thought-provoking works of art will not only challenge the viewers’ preconceptions about written language and cultural identity, they will also invite them to interact with the art. 

His interactive educational work, Square Word Calligraphy, involves the creation of a unique writing system that transforms English into Chinese writing. He uses components of Chinese characters to transform an English word into what looks like a Chinese character. The work, created in a classroom setting in this exhibition, is a perfect fusion of eastern and western cultures into one harmony. 

This exhibition is designed to serve and educate people of different cultures and nationalities with his art. “My aim is to make an art that truly serves the people.” - Xu Bing

Curated by Professor Lidu Yi.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
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